Two Ways to Reach Out for Real

Ying-Yang-Laozi-by-Thanato

You’ve used the terms: Yin and Yang. And you know, at least abstractly, what they mean.

Yin suggests things like dark and receptive and open and soft and easy and relaxed and feminine and expansive. Yang asserts stuff like light, creative, closed, rigid, tough, tense, masculine, directive.

But you knew that.

I bet you’ve explained Yin and Yang, to someone or other, once or twice.

It’s so abstract. And Yin and Yang, while you may recognize them in weird, conceptual, intellectual kinds of ways (it’s okay: these are legitimate ways)…the  juice and guts of Taijiquan digest and release Yin and Yang quite concretely. (Is that a gripping metaphor?)

Try this → hold your arms out. Right now, get the feel for this. (You can do this right at your computer.) Hold your forearms out, parallel to the floor, palms down, fingertips pointing away to the horizon or the wall. Call that neutral. It’s a nice position, hands hovering over your keyboard.

Now point your fingers downward, noting the bend in the wrist. It’s flexion at the wrist joint: call it Yin.

Next, point those fingers up from neutral: extension at the wrist is called Yang. Your forearm, wrist, hand, and palm are Yang. It’s a real, concrete exploration of universal principles…and I offer you the nomenclature right now, so we can finesse this topic (a little now and a lot later).

That mini exploration explores the existence of Yin and Yang. But it’s static…moving enriches it.

The wrist that is Yang cannot act Yang. The Yang wrist creates Yin energy. Likewise, wrists that are Yin cannot act Yinnily. Yin arms offer Yang expression. Watch, I’ll show you….

Yin & Yang Wrists in Taijiquan

YouTube Preview Image
Each movement in your form (and your life), if you’re attentive and relaxed, then your wrists and hands express changes continuously. If you move without expressing change in your wrists: you’re moving wrong. Yep–it’s wrong. Wrong. Wrong. Wrong.

Okay…okay…if you like niceties, let’s say: you could use more relaxation and efficacy. Oh, and, if you’re new to Taijiquan or internal arts, then you should know that this is a fairly advanced topic.

But you can get it.

And when you apply it, your T´ai-chi Chüan will roll right along in an advanced way. So maybe call not-expressive wrists: bad, bad, bad, or beginner, beginner, beginner if you don’t like to be wrong.

Hold these principles as self-evident; after all, you already knew about Yin and Yang.

Then really dig down into the details of how you move. Every bit of every motion in Taiji form and pushing hands (and cutting vegetables for power stew) contains changes: real, live changes.

Yin becomes Yang creates Yin, and round it goes.

Fill your form with fluid wrist-changes. Yin and Yang radiate new, real, and tangible meanings when you embody them. Fantasies fall away.

You’re left with right, real Taijiquan.

18 Responses to Two Ways to Reach Out for Real

  1. Rick Matz says:

    Good post. Yin and Yang are fairly easy to grasp intellectually, but it takes some study to really understand it viserally. It’s a topic that can be studied very deeply.

    I think one of the signatures of Wu style taijiquan is the clear separation of Yin and Yang.

    Something that I also think is often overlooked is that the concept is really “Yin Yang.” It’s one thing, not two things.

    Yin and Yang don’t overcome one another; they don’t interact. They are two aspects of one thing.

  2. S.Smith says:

    Mr. Matz, you make good points about Yin-Yang. I see that two sides of just one-coin kinda thing.

    When I deepen the subtleties, little yin and little yang come along for the ride too. That really rounds out the coin.

    This one little article about two ways only reveals those bold swaths: Big Yin and Big Yang.

  3. Jeff says:

    Thanks for the video demonstration. The music was relaxing, the text informative with ease. Knowing Ying-Yang in my body by following your vid is more useful than the intellectual explanations I encounter in books. It’s not possible to truly understand until the body gets involved!

  4. Sierra says:

    Thank you Steven, for yet again, another great article! Your explanation along with the visual addendum was very helpful and beneficial! ^_^ V

  5. Aaron says:

    Very nice; one of the better demonstrations I’ve seen: concise, simple, and richly loaded.

    Once what is being shown here is expereienced beyond the mind and viscerally within the body, the practitioner or artist can truly commense bathing in the Form on a new and wonderful level. When trying this, I’d invite you to go with the Ch’eng Fu Form of Taijiquan in particular, due to the continuous, linked transitions of ward off, roll back, press, and push.

    After watching this, especially if it’s a little new to you, try the Form on and I guarantee you will be pleased by the journey you experience; it will most likey change your Form up a bit, too.

    Excellent work, Steven

    -A-

  6. Aaron says:

    Hello Rick, Jeff, Sierra, and of course, Steven.

    Thanks to you first three for your efforts and insights, and thanks to you Steven for keeping these discussions alive.

    I would like to sincerely invite those that train with Steven but choose not to post comments to begin doing so.

    If you think that you simply do not have anything to say, perhaps, from a certain point of view, that’s possibly correct.

    However, you do have more to say than you may think. Let us know what you’re doing with your training, what you are happy as well as frustrated with. Believe me, friends, you have a great deal to contribute.

    Mike and Becky, “long time no see” in a couple of ways : )

    It’s been seven months since I’ve seen you, and last I did, you were two of some of the more dedicated students I’ve witnessed. If you’re still working with Steven like you have been, then there is no doubt you are on new and wonderful levels.

    I would love to hear from you guys and know how you’re doing. Ergo, tell us about some of your experiences if you’re willing.

    Peace.

    • SRS says:

      Aaron, I dig the invitation to comment… I hope more folks do. And I hope to train with you again one day.

  7. Arlie says:

    first off well done Steven for yet another great installment. I have heard of this as called the taiji symbol, with the circle on the outside representing wuji(nothingness) then on the inside we have yin and yand energy representing the black and white colors. so from wuji we have taiji…simply stated. so in practicing taiji with the priciple of the taiji symbol( yin yang symbol) first we stand in wuji, then on the inbreath we begin, and this begining IS TAIJI-constantly changing from yin to yang and so on…
    regards,
    Arlie

  8. Shannon says:

    I loved the simplicity and thoughtfulness of this, thank you. A nice introduction to the world of Taiji.

  9. Roxie says:

    I’ve been busy “lately” with taking care of an Recovering Uncle, who was in the hospital for the past three months, and just “Yesterday” he came Home, to us…

    So finally, I have found the time to read these articles again, and “begin” Practice w/Taiji…I find your Unstoppable Optimism Infectious and DeliShouSLEE DeLeCtable, ha…

    Anywho, here’s hoping that I may finally being One w/Taiji, ha…

    Also, I’ve been taking “InternaL” Kung Fu & Chi Gung aka Taiji, at a LocaL Instructor here in Texas…

    Yeahs, I’m a Southerner now, hahaha…

  10. Roxie says:

    Btw, read this, when you have the time…

    It’s a HopefuLL Message…

    http://divinecosmos.com/index.php/start-here/davids-blog/809-coming-changes-reading

  11. josh young says:

    For my own use I prefer full and void, or substantial and insubstantial, when dealing with the physical energies.

    It correlates with the same wrist relationships found in this particular style just fine, but also dictates that there are times where yin and yang energies have divided up and down, and thus the arrival of two yang or yin wrists is as a single moving unit in these cases, balanced by the lower section of the body. When one enters into weapon work this becomes more pronounced, because two hands may hold a weapon together and thus arrive together as yang or yin in a vertical relationship.

    This division of yin and yang, as a vertical pole, is found in the first move of or form transmission. The WTBA first move uses both the vertical and the horizontal division in the same move.

  12. S.Smith says:

    Roxie, I’m glad your back at it. In terms of Yin and Yang, Divine Cosmos asks that we take on a yinny attitude… for balance… here’s more yangy version of change (and a movie trailer): Shock Doctrine.

    Josh, generally, in the form, one fills with breath while moving into Yin Wrist; empties the breath, exhaling, while extending into Yang wrists. So…

    Typically I’d guess that full refers to yang; void, yin. For the body and hands, those words lead us away from the experience. But for the legs: it’s right on… it’s a great way to look at legs: empty of weight or full of weight, vertically. Of course if the concepts work one way and not-so-much the other, that’s really yin-yang, eh?

  13. josh young says:

    I’ve been becoming increasingly aware of radical differences between the transmissions of principals of our two lineages.

    It seems that both of our systems contain large amounts of material that the other system lacks.

    Both also operate around different core motions and have different requirements for conditioning. I have come to learn that neither teaches what the other does, and yet one the superficial level many of the movements look the same. However when you go deeper, the real differences appear. I do not find one system better than the other, they are like apples and oranges and incomparable when it comes down to it.

    I am only learning this now, thanks to you and your students.
    I fear for this reason we cannot really have a discussion, because when we use the same Chinese terms, we have rather different meanings behind them. I regret this for I have enjoyed the study of the WTBA material, but still cannot enter into a discussion with a member of the group without a conflict of terms and understandings.

    Anyway thanks for your hospitality and efforts in promoting the WTBA material. Keep up the level of productivity and practice and you will be true master one day.

  14. S.Smith says:

    I also enjoy your vision of said terms. Agreeing (yin?) and disagreeing (yang?) both stimulate wondering…

    It’s not so much a transmission that I describe as much as an inner experience and, as I grow more and more attentive, I get more and more precise with terms.

    So I partly agree with your reading… for legs in particular and for general concepts, I think your terms work well.

  15. day says:

    I guess what Josh said about vertical and horizontal division might mean that, with the waist as taiji, the lower body is yin while the uper body is yang, or the reverse of that. Most taiji system use this as the beginning of the form, and the closing, but WTBA old yang in the intermediate/advance already make division for left and right as yin-yang at the beginning. Or maybe at An/Push, either hand arrive at the same time or one by one.
    Anyway Steven, how does this division works for other joints like elbow, shoulder, knee etc?

  16. S.Smith says:

    Day, I think you’re right…that’s a good reading. I appreciate that.

    And it’s a good point: legs are yang, arms yin on the vertical axis. As we explore Taiji in a deeper sense, simplistic divisions go away (or should).

    You bet the elbows, shoulders, etc will be/feel yin or yang relative to themselves and to other joints.

    It’s all in flux.

    There’s no way to really pin it down. Like in the video… relative to itself, a yin wrist holds yang energy. Each joint and every idea does too.

    (Still, this is so abstract… veering quite far from the intention of the article, I suppose.)